With the Australian limestone I am using, I love its colour and the fact that it has a real character of its own. Considering the amount of knowledge I have about this medium in a way it’s strange that I didn’t attempt to work with it earlier on. I have always worked with other mediums but I have brought myself back to working with stone. What is it that you love about working with Australian limestone? It’s a challenging one and it’s testing me big time but I think it will be my best project to date. But then during our year here, we realised we wanted to stay here for good.Ī large dining table with a sculptural base for a client in Sydney. I play Soccer and I had a friend who had put me in touch with a club over here so I thought, why not? We’ll spend a year there just working and travelling. We were about to move to London when we decided to take a break and travel to Australia. From there I went on to study fashion, which was an interesting move, especially for my family and other people in the village to understand! I then studied Textiles in Glasgow (which is where I met my wife Bobby) and then went on to study embroidery at Manchester Metropolitan University. When I was a teenager I wanted to explore the wider world and so at 16 I decided to leave school to become a bricklayer/stonemason. I was given so much freedom to roam about, there are multiple farms in that area so I had endless opportunities to get up to no good. From an early age, I was left to my own devices and had plenty of countryside to create my own games according to my imagination, which has made me independent and fond of freedom. I grew up in a small village of 600 with loads of family around me. A drill can do more than drill a hole, a drill could be used for a million different things.Ĭan you share with us a bit about your childhood in Scotland? How has it shaped your work today? I like to challenge the idea that there are only certain ways to do and make things, all the while trying different tools and methods. Creatively, I enjoy looking at an object or project from a new viewpoint. Although I’m not restricted to working with limestone, my sculpture is an avenue that I feel combines all of those skills. I started out as a stonemason when I was 16, then moved on to study Fashion, Textiles and Embroidery. We spoke with Steven to learn more about his distinctive practice and to find out how various life experiences have shaped his work.Ĭan you tell us a bit about your creative journey? From small planters to large-scale pieces of furniture, the scope of his work is as varied as it is original. Never one to follow rules of material, Clark likes to experiment with different techniques and methods, using tools creatively to build his works. His off-kilter pieces in chalky, white-washed Australian limestone are unique in both form and aesthetic. His work sits somewhere between art, furniture and sculpture, with bold, hand-crafted objects that instantly draw attention in any space they occupy. Steven Clark is the craftsman behind Melbourne-based studio, Den-Holm.
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